What is UV Printing?
Unlike our giclee printers which are roll-fed and use pigment inks, our UV printing facility utilises a flatbed and can print up to 2.5 x 1.25m. Its unique selling point is that it can print on any flat substrate that is no thicker than 50mm (2 inches), such as wood, leather, acrylic, canvas and even more unusual substrates such as stone. Utilising a set of UV lamps that are positioned either side of the bank of 7 print heads, as soon as the inks hit the substrate, they are immediately cured or dried by the UV lights, meaning that substrates such as glass can be successfully printed on where previously the ink would run before drying.
Different UV printers have differing numbers of channels, which allow for a variety of printing options. At their most basic, a 4-channel printer offers CYMK printing (Cyan, Yellow, Magenta and Black). At Ultimat, our Fuji Acuity 30 printer has a wealth of added options from it’s 7-channels, adding white, primer and clear.
White ink is one of the most versatile additions allowing us to create a neutral base colour to print on dark substrates, but also due to the fact that it is thicker than the other inks, it can be used to print and overprint, building up layers within an image to create an almost three-dimensional quality, before laying down the required colour over the built-up areas.
The primer channel, which acts like a glue, allows us to increase the adhesion of the CYMK and white inks on previously difficult substrates but also can be used to apply an accurate adhesive layer for further embellishment such as foiling and diamond dusting.
The clear channel further enhances our capabilities, allowing us to offer spot-glossing of certain areas of an image, which can be useful in emphasising reflective qualities within the image, such as water droplets